Sherryl Vint takes a look at our most beloved and most ill-behaved male protagonists in her essay, “Men Behaving Badly: White Masculinity in Science Fiction Television:”
The recent era of “quality tv” has tested the limits of our belief in righteous masculine authority, compelling us to identify with compromised figures such as Tony Soprano, Vic Mackey, and Walter White. Such male anti-heroes are championed despite acts of violence and morally compromised decisions, it seems, because they espouse a love of family that they claim as their only motivation.
Recent (semi)-ironic performances of grief over the death of Walter White, for example, suggest how much we still want to believe that father really does know best, even though Vince Gilligan did all anyone could do to show us how Walt destroyed rather than protected his family, and did so solely to feed his own ego. So why do we continue to love male protagonists no matter what they do?
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